| Issue | Title | |
| Vol 4, No 2 (2023) | A Brief Analysis of Brahms Violin Concerto in D Major, Op.77 | Abstract PDF |
| Fong Fiona Fong | ||
| Vol 3, No 2 (2022) | A Brief Analysis of Romanticism in French Musical Mozart-l'Opéra Rock | Abstract PDF |
| Beilei Zhu | ||
| Vol 3, No 3 (2022) | A Brief Analysis on the Artistic Features and Functions of Animal Characters in Healing Animation | Abstract PDF |
| Yizhao Gong | ||
| Vol 2, No 3 (2021) | A Comparative Analysis of the Different Performance Methods of the First Movement of Mozart's Clarinet Concerto K622 in the 20th Century | Abstract PDF |
| Junmin Linwu | ||
| Vol 3, No 1 (2022) | A Comparative Study of the Aesthetic Characteristics of Buddhist Cave Image Art in the Tang and Song Dynasties | Abstract PDF |
| Mingge Wu | ||
| Vol 2, No 4 (2021) | A Comparative View of Stage Action and Movie Action | Abstract PDF |
| Lu Liu, Ye Yu | ||
| Vol 3, No 1 (2022) | A Cross-cultural and Comparative Study on Female Self-consciousness Between Chinese and Western Tragic Women in Madam Du Sinks Her Treasure Chest in Anger and Medea | Abstract PDF |
| Jinming Yang | ||
| Vol 3, No 2 (2022) | A Narrative Comparison Between the Animated Films Frozen and White Snake | Abstract PDF |
| Xijin Zhang, Gaofeng Mi | ||
| Vol 3, No 3 (2022) | A Preliminary Study of Dunhuang Wall Paintings in the Prosperous Time of Tang Dynasty: A Case Study of "The Sutra of Contemplation Amtayus" Murals | Abstract PDF |
| Yushan Li | ||
| Vol 2, No 4 (2021) | A Refection on Digitalized Creation of Chinese Internet Big Movies in the Context of Internet | Abstract PDF |
| Liang Lei, Kunhao Ni, Ying Cui | ||
| Vol 1, No 1 (2020) | A Study of British and American Art Criticism under the Background of Cultural Differences | Abstract PDF |
| Yang He | ||
| Vol 3, No 3 (2022) | A Study of Conceptual Deconstruction in the Paintings of Wang Xingwei | Abstract PDF |
| Yan Li | ||
| Vol 4, No 2 (2023) | A Study on the Narrative Methods of Times Still Turns the Pages from the Perspective of Trauma Theory | Abstract PDF |
| Shiqi Yang | ||
| Vol 3, No 3 (2022) | About the Definition of Art | Abstract PDF |
| Zixi Wang | ||
| Vol 3, No 3 (2022) | Aesthetic Art in Films — Taking "The Battle at Lake Changjin" as an Example | Abstract PDF |
| Yiyang Li | ||
| Vol 3, No 1 (2022) | Aesthetic Color Allegory and the Return of Civilizational Metaphors in The Grand Budapest Hotel | Abstract PDF |
| Yiqiao Wang | ||
| Vol 2, No 3 (2021) | An Analysis of Narrative Techniques and Creative Skills in the Documentary "Four Springs" | Abstract PDF |
| Yuling Chen | ||
| Vol 3, No 2 (2022) | An Analysis of the Influence of Ancient Chinese Frescoes on Modern Traditional Chinese Realistic Painting | Abstract PDF |
| Wei Zhao | ||
| Vol 3, No 5 (2022) | An Appraisal-based Comparative Study on English and Chinese Movie Review | Abstract PDF |
| Feiqing Ming | ||
| Vol 3, No 2 (2022) | Analysis of Androgyny View in Orlando and Its Significance | Abstract PDF |
| Weili Wang | ||
| Vol 3, No 1 (2022) | Analysis of the Integration of Chinese Painting Techniques in Watercolor Painting | Abstract PDF |
| Yaling Liang | ||
| Vol 3, No 3 (2022) | Analysis of the Narrative Strategies of the Epidemic Documentary — Taking Documentary The Lockdown: One Month in Wuhan as an Example | Abstract PDF |
| Bohan Li | ||
| Vol 3, No 1 (2022) | Analysis of the Role of Scene Description in The Child in Time | Abstract PDF |
| Zixin Gu | ||
| Vol 2, No 3 (2021) | Analysis on the Basic Narrative Structure of Short Films | Abstract PDF |
| Anran Liu | ||
| Vol 2, No 4 (2021) | Analysis on the Development Strategy of Traditional Chinese Opera Based on Digital Media Technology | Abstract PDF |
| Lan Lan | ||
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