| Issue | Title | |
| Vol 5, No 6 (2024) | A Study on the Change of Postmodernism in Quentin Tarantino’s Films | Abstract PDF |
| Qing Lu | ||
| Vol 6, No 1 (2025) | A Study on the Factors Influencing Students' Choice to Pursue Undergraduate Courses at Hebei Academy of Fine Arts through the Gaokao System: A Case of the 2024 Academic Year | Abstract PDF |
| Somsak Srisontisuk, Xian Ma, Zhengzheng Zheng, Jun Wang, Yan Xiao, Haixia Zhao | ||
| Vol 5, No 4 (2024) | A Study on Wu'an Nuo Opera Costumes from the Perspective of Iconography | Abstract PDF |
| Wenyan Li | ||
| Vol 6, No 2 (2025) | A Summarized Account of the Research of the Multi-ethnic Creation Myths in the Tibet-Qiang-Yi Corridor — Centered on CNKI Database Journals | Abstract PDF |
| Yi Zhang, Xueyun Li | ||
| Vol 5, No 4 (2024) | A Tragedy without a Killer Is a Real Tragedy — Analysis of Anna Karenina's Tragedy | Abstract PDF |
| Keqin Chen | ||
| Vol 3, No 3 (2022) | About the Definition of Art | Abstract PDF |
| Zixi Wang | ||
| Vol 3, No 3 (2022) | Aesthetic Art in Films — Taking "The Battle at Lake Changjin" as an Example | Abstract PDF |
| Yiyang Li | ||
| Vol 3, No 1 (2022) | Aesthetic Color Allegory and the Return of Civilizational Metaphors in The Grand Budapest Hotel | Abstract PDF |
| Yiqiao Wang | ||
| Vol 6, No 3 (2025) | An Analysis of Black Subjectivity in The Sellout from the Perspective of Cultural Identity | Abstract PDF |
| Yiqi Zhang | ||
| Vol 5, No 6 (2024) | An Analysis of Creative Techniques in the Song "See You Again Someday" | Abstract PDF |
| Zhi Cui | ||
| Vol 2, No 3 (2021) | An Analysis of Narrative Techniques and Creative Skills in the Documentary "Four Springs" | Abstract PDF |
| Yuling Chen | ||
| Vol 5, No 5 (2024) | An Analysis of Popular Culture Novels Can Function as a Site of Memory: A Case Study of The Great Gatsby | Abstract PDF |
| Hua Gao | ||
| Vol 3, No 2 (2022) | An Analysis of the Influence of Ancient Chinese Frescoes on Modern Traditional Chinese Realistic Painting | Abstract PDF |
| Wei Zhao | ||
| Vol 5, No 6 (2024) | An Analysis of Zhuangzi’s State of Self-Forgetting | Abstract PDF |
| Dongju Li | ||
| Vol 6, No 3 (2025) | An Ancient Call: A Feasibility Study on the Use of Hani Music as Accompaniment for Roman Lar Statues | Abstract PDF |
| Linyuying Chen | ||
| Vol 3, No 5 (2022) | An Appraisal-based Comparative Study on English and Chinese Movie Review | Abstract PDF |
| Feiqing Ming | ||
| Vol 3, No 2 (2022) | Analysis of Androgyny View in Orlando and Its Significance | Abstract PDF |
| Weili Wang | ||
| Vol 5, No 5 (2024) | Analysis of Craft Aesthetics and Cultural Symbols in the Restoration of Porcelain Artifacts | Abstract PDF |
| Xijing Zhang | ||
| Vol 6, No 2 (2025) | Analysis of Game Music Design and Scene Integration Strategy | Abstract PDF |
| Yizhu Xu | ||
| Vol 5, No 6 (2024) | Analysis of Schoenberg's "Three Piano Pieces" Music Features — Taking Op.11.No.2 as an Example | Abstract PDF |
| Jinyuan Yang, Jinhong Yang | ||
| Vol 5, No 5 (2024) | Analysis of the Application Effect of Multimedia Teaching in Vocal Music Courses in Colleges and Universities | Abstract PDF |
| Ru Jia | ||
| Vol 5, No 5 (2024) | Analysis of the Characterization of Supporting Role in Creation of the Gods I: Kingdom of Storms | Abstract PDF |
| Hanqing Zhao | ||
| Vol 5, No 6 (2024) | Analysis of the Formation and Evolution of Director Style from Classic Film and Television Works — Based on the Study of A Dream of Red Mansions | Abstract PDF |
| Yuxuan Wu | ||
| Vol 3, No 1 (2022) | Analysis of the Integration of Chinese Painting Techniques in Watercolor Painting | Abstract PDF |
| Yaling Liang | ||
| Vol 5, No 6 (2024) | Analysis of the Integration of Marxist Philosophy and Chinese Traditional Culture | Abstract PDF |
| Jingxiang Cheng | ||
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