| Issue | Title | |
| Vol 3, No 4 (2022) | Staff Notation or Numbered Music Notation That Is the Question: A Brief History of Numbered Music Notation and an Examination on Its Effectiveness of Music Learning | Abstract PDF |
| Chia-Lun Chang | ||
| Vol 3, No 6 (2022) | Statistical Thinking and New Forms of Contemporary Art under the Background of Big Data | Abstract PDF |
| Zheng Wang | ||
| Vol 5, No 3 (2024) | Strategies for Applying the Concept of Human-centered Education in Dance Teaching | Abstract PDF |
| Shaohan Hou | ||
| Vol 3, No 1 (2022) | Study on Design of Interactive Advertising in the Environment of New Media | Abstract PDF |
| Wensi Meng, Lingzi Huang | ||
| Vol 5, No 4 (2024) | Study on the Dai Nationality of Gengma County's Kinnara Dance from the Perspective of "China-Asean" Community | Abstract PDF |
| Ansheng Shen, Li Peng, Hui Zhong | ||
| Vol 3, No 3 (2022) | Study on the Design Implication of Auspicious Patterns of Huizhou Traditional Architectural Components — Taking Windows as an Example | Abstract PDF |
| You He | ||
| Vol 2, No 4 (2021) | subway advertising, service system, travel purpose, precise placement | Abstract PDF |
| Yuxiao Tu, Zheng Li | ||
| Vol 3, No 2 (2022) | Summary and Initial Exploration of Barbara Gail Montero's Article "The Artist as Critic: Dance Training, Neuroscience, and Aesthetic Evaluation" | Abstract PDF |
| Yang Liu | ||
| Vol 3, No 2 (2022) | The Application of Chinese Traditional Patterns in the Design of Tourist Literature | Abstract PDF |
| Yue Zhang | ||
| Vol 2, No 2 (2021) | The Application of Piano Art Direction in National Vocal Works | Abstract PDF |
| Xue Qiao | ||
| Vol 3, No 2 (2022) | The Artistic Expression of the Spiritual Characteristics of the Gods and Monsters in The Classic of Mountains and Seas in Contemporary Illustrations | Abstract PDF |
| Yajie Hu | ||
| Vol 5, No 3 (2024) | The Artistic Philosophy and Cultural Connotation of Printmaking Technology — Taking Woodblock Prints as an Example | Abstract PDF |
| Mingyi Li, Jiang Lyu | ||
| Vol 5, No 5 (2024) | The Beauty of Convergence in the Digital Age: Design Connecting Culture and Technology | Abstract PDF |
| Junyan Chen, Hao Zhang | ||
| Vol 5, No 4 (2024) | The Choral Art in the Opera Carmen: Analysis of Emotions with Affinity to the People and Exploration of Expressive Tension | Abstract PDF |
| Na Pan | ||
| Vol 2, No 2 (2021) | The Content and Enlightenment of the National Core Arts Standards of the United States | Abstract PDF |
| Mengjia Zhang | ||
| Vol 2, No 2 (2021) | The Cultivation of Students' Musical Expressiveness in Piano Performance Teaching | Abstract PDF |
| Xiao Han | ||
| Vol 5, No 3 (2024) | The Development and Consummation of Minimalism: a "Subtractive Aesthetics" | Abstract PDF |
| Xunmei Luo | ||
| Vol 1, No 1 (2020) | The Development of the Concept and Content of Screen Dance | Abstract PDF |
| Yufei Mao | ||
| Vol 5, No 1 (2024) | The Differences between Traditional Chinese Clothing Aesthetics and Western Clothing Aesthetics | Abstract PDF |
| Xiayi Zhang | ||
| Vol 1, No 2 (2020) | The Distinction Between Pastoral and Elegy — the Interpretation of the Causes for the Tragic Ending of Border Town | Abstract PDF |
| Jiashu Dai, Weijuan Wang, Xiangyi Li | ||
| Vol 5, No 2 (2024) | The Effective Use of Musical Ice Breaking Activities | Abstract PDF |
| Wenlong Zhang | ||
| Vol 3, No 3 (2022) | The English Translation of the Classic Chinese Novel Chin P'ing Mei in the Context of Anglo-American Censorship | Abstract PDF |
| Hao Chen | ||
| Vol 5, No 5 (2024) | The Evolution of Visual Design: Balancing Innovation and Tradition in AI-Driven Enhancements | Abstract PDF |
| Qian Liu | ||
| Vol 2, No 4 (2021) | The Experimental Research on Stylized Teaching Method Used in the Art Guidance of Chinese Undergraduates (Piano Accompaniment) — Take the Teaching of Haidun Piano Sonata as an Example | Abstract PDF |
| Liang Zhou | ||
| Vol 5, No 4 (2024) | The Function of Color Elements in the Creation of Film and Television Art | Abstract PDF |
| Yanlin Ye | ||
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