| Issue | Title | |
| Vol 5, No 3 (2024) | The Integration Characteristics and Cultural Connotations of Folk Songs in the Middle and Upper Reaches of the Yellow River | Abstract PDF |
| Mingzhe Li | ||
| Vol 3, No 4 (2022) | The Intrinsic Relationship Between Literary Theory and Criticism — Based on the Analysis of Bressler's "Literary Criticism: An Introduction to Theory and Practice" | Abstract PDF |
| Wenzhuo Dong | ||
| Vol 1, No 1 (2020) | The Modern Shaping of Ancient Dance Figures — Research on the Contemporary Creation of Ancient People's Dance Images | Abstract PDF |
| Ruizhi Zhang | ||
| Vol 3, No 2 (2022) | The Music Image in the Image — On the Visual Representation of the Music Image in the Painting Exhibition of Qiu Xiaofei | Abstract PDF |
| Qian Meng | ||
| Vol 3, No 3 (2022) | The Practice of Art Gallery Group in Contemporary Museums | Abstract PDF |
| Xuechun Yuan | ||
| Vol 3, No 4 (2022) | The Relationship Between the Orientation of the Hand Symbols in Inscription on Bones and the Meaning | Abstract PDF |
| Yuqing Jia | ||
| Vol 5, No 1 (2024) | The Role of Color Psychology in Interaction Design | Abstract PDF |
| Wenbo Zhang, Mengyao Wang, Jiahui Zhang, Yiyi Feng, Chenxuan Wang | ||
| Vol 2, No 4 (2021) | The Role of Contour Line in Painting — an Analysis of Morandi's Still Life Painting | Abstract PDF |
| Jingru Liu, Mengqi Jin | ||
| Vol 5, No 3 (2024) | The Role of Quanzhou Taishi in the Revitalization of Rural Culture under the Perspective of Semiotics | Abstract PDF |
| Jiali Liu, Lin Tang, Huiting Lin, Yiping Qiu | ||
| Vol 3, No 1 (2022) | The Shaping of Diverse Masculinities by the Westernization of Men's Clothing in Modern China and Japan | Abstract PDF |
| Zhiwen Tian, Yu Liu | ||
| Vol 3, No 5 (2022) | The Spreading Influence of "Tide of Calligraphy — Itinerant Exhibition for Forty Years of Henan Calligraphy in the New Period" | Abstract PDF |
| Kaifang Tian | ||
| Vol 5, No 2 (2024) | The Style and Influence of Su Shi's Regular Script | Abstract PDF |
| Jiawei Zhang | ||
| Vol 2, No 4 (2021) | The Turn and Change of Chinese Contemporary Oil Painting Patterns | Abstract PDF |
| Jinjing Yang, Lan Chen | ||
| Vol 2, No 4 (2021) | The Turn of 20th Contemporary Art under the Big Social Crisis | Abstract PDF |
| Bijun Zhu | ||
| Vol 3, No 1 (2022) | The Two Paths to the End in the Film and Novel Lust﹒Caution | Abstract PDF |
| Jun He, Yangxia Miao, Sha Luo | ||
| Vol 3, No 1 (2022) | Theatrical Aesthetics of Solo Performance and Its Social Functions — Take the Example of Tim Miller's Glory Box | Abstract PDF |
| Min Zhang | ||
| Vol 5, No 1 (2024) | Tibetan in Painting: The Embodiment of the Idea of Impermanence in the Animation "The Return of the Great Sage" | Abstract PDF |
| Yang Yuan, Jingqi Qiu | ||
| Vol 5, No 2 (2024) | Trends and Prospects of the Fashion Production Industry | Abstract PDF |
| Xi Liang | ||
| Vol 2, No 1 (2021) | Uncuttable Bond: Willie’s Changing Perception of His Father and His Identity | Abstract PDF |
| Jingyin Xu | ||
| Vol 3, No 4 (2022) | Vaporwave — Anti-Capitalism Internet Music | Abstract PDF |
| Huizhi Zhang | ||
| Vol 2, No 4 (2021) | What Was the Visual Appeal of Kabuki? | Abstract PDF |
| Hao Cao | ||
| Vol 3, No 5 (2022) | Wilhelm von Bode's Way of Art Appraisal | Abstract PDF |
| Yawen Sun | ||
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