| Issue | Title | |
| Vol 5, No 1 (2024) | Navigating the Future Landscape: Probing the Mechanism and Feeding Model of AI within Theatrical Arts | Abstract PDF |
| Hua Feng | ||
| Vol 6, No 6 (2025) | New Trends and Industry Impacts of Digital Art Creation Driven by AIGC | Abstract PDF |
| Jingjing Qin | ||
| Vol 6, No 4 (2025) | nnovative Analysis of Oral Folklore Recording Methods in Ethnomusicology at Universities in the Digital Age | Abstract PDF |
| Dan Wu | ||
| Vol 2, No 4 (2021) | "Not Resembling" in Ni Zan's Landscape | Abstract PDF |
| Hao Cao | ||
| Vol 3, No 1 (2022) | Observation and Thinking of Digital Music Industry — Analysis Based on Streaming Music | Abstract PDF |
| Xinran Wang | ||
| Vol 3, No 2 (2022) | On Auditory Narratology in The Ivory Acrobat | Abstract PDF |
| Rui Zhang | ||
| Vol 3, No 3 (2022) | On Bodily Transformation in the Ritual Context of Mask in Dance Performance | Abstract PDF |
| Chenjing Shen | ||
| Vol 6, No 5 (2025) | On Bridge Concepts in Translation Sociology | Abstract PDF |
| Yangfen Huang | ||
| Vol 2, No 4 (2021) | On Contemporary Female Seal-carving Artists | Abstract PDF |
| Chenfu Sun | ||
| Vol 5, No 5 (2024) | On the Ambiguity in Virginia Woolf's Novel To the Lighthouse from the Perspective of Dual Narrative Procession | Abstract PDF |
| Qiong Yu | ||
| Vol 1, No 2 (2020) | On the Artistic Features of Jiangxi Regional Folk Dance “Gannan Tea-picking” | Abstract PDF |
| Xiang Wu | ||
| Vol 7, No 1 (2026) | On the Artistic Philosophy of Wang Lyu's Painting Theory and the Aesthetic Value of His Works | Abstract PDF |
| Hao Zhou | ||
| Vol 2, No 2 (2021) | On the Artistic Value of Literary Ekphrasis | Abstract PDF |
| Zhangfan Shangguan, Dong Wang | ||
| Vol 1, No 1 (2020) | On the Basic Requirements and Problems of Piano Performance Technology | Abstract PDF |
| Jiayi Mao | ||
| Vol 3, No 3 (2022) | On the Design of Cyberpunk Female Image in Cyberpunk Films | Abstract PDF |
| Jiayang Li | ||
| Vol 2, No 4 (2021) | On the Expressive Techniques and Artistic Conception of Chinese Flute Playing Works | Abstract PDF |
| Zhinuo Tang | ||
| Vol 5, No 4 (2024) | On the Inheritance of Excellent Traditional Chinese Culture in the Creation of New Media Art | Abstract PDF |
| Siqi Xu | ||
| Vol 1, No 2 (2020) | On the Recursion of Syntax and Discourse Structure in Linguistics and the Recursion of Chinese Traditional Landscape Painting | Abstract PDF |
| Wenqing Li | ||
| Vol 3, No 1 (2022) | On the Return Journey to the Picturesqueness | Abstract PDF |
| Yuhao Huang | ||
| Vol 2, No 3 (2021) | On the Revival of Seal Script in Qing Dynasty | Abstract PDF |
| Jiale Dai | ||
| Vol 5, No 3 (2024) | On the Scene Construction and Atmosphere Creation in Drama, Film and Television Art Design | Abstract PDF |
| Jia Cui | ||
| Vol 2, No 1 (2021) | On the Value of Aesthetic Education in Solfeggio Courses | Abstract PDF |
| Qian Huang | ||
| Vol 2, No 4 (2021) | On the Way to Three-dimension — "Les Demoiselles D'Avignon" by Picasso | Abstract PDF |
| Xiaoyu Kang | ||
| Vol 1, No 3 (2020) | On Translation of Social Terms in Hong Lou Meng | Abstract PDF |
| Liqun Tsao | ||
| Vol 5, No 3 (2024) | On Verbal Humour Translation from English to Chinese in Subtitles of Stand-up Comedies under the General Theory of Verbal Humour | Abstract PDF |
| Qingyi Zhang | ||
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