| Issue | Title | |
| Vol 7, No 3 (2026) | Intersections of Play and Perception: Experimental Cinema and the Exquisite Corpse | Abstract PDF |
| Zhulin Chang | ||
| Vol 5, No 6 (2024) | Intertextual Readings in Comparative Philosophical Perspective: Philosophical Reflections on Sarah Kane's Drama | Abstract PDF |
| Yufei Lin | ||
| Vol 3, No 2 (2022) | Investigation of the Design Concepts and Potential Problems of Defensive Jewelry | Abstract PDF |
| Jiaxin Wu | ||
| Vol 6, No 3 (2025) | IP Derivative Development of Musicals: Extending from the Stage to Diverse Consumption Scenarios | Abstract PDF |
| Jiaxinyu Lin | ||
| Vol 1, No 1 (2020) | Leaving Blank Space — the Highest Realm of Chinese Painting | Abstract PDF |
| Donghua Yu | ||
| Vol 7, No 1 (2026) | Limited Freedom: The Illusion and Reality of “Empowering” Audiences in Interactive Cinema | Abstract PDF |
| Chenxi Gao | ||
| Vol 3, No 1 (2022) | Literature, Sexual Violence, and Female Bonding: How does Fang Siqi's Paradise of First Love Explore the Possibility of Women's Writing Through Its Language? | Abstract PDF |
| Ruimeng Qi | ||
| Vol 7, No 2 (2026) | Localizing Estill Voice Training for Mandarin Musical Theatre Singing | Abstract PDF |
| Miaoying Lin | ||
| Vol 3, No 6 (2022) | Love Lasts Forever: An Exploration of Love Based on Works of Art | Abstract PDF |
| Margaret Ma | ||
| Vol 3, No 3 (2022) | Material-immaterial Duality of Digitaized Media | Abstract PDF |
| Zilu Cai | ||
| Vol 3, No 3 (2022) | Media Montage Interpretation of Immersive Art Space | Abstract PDF |
| Xiaomin Ren | ||
| Vol 5, No 6 (2024) | Media Technologies and Platforms Have a Huge Impact on Football Fandom | Abstract PDF |
| Sixian Li | ||
| Vol 7, No 3 (2026) | Memory Writing and National Identity in Treasure Island | Abstract PDF |
| Chenrui Yuwen, Yanhua Lyu | ||
| Vol 6, No 1 (2025) | Metaphor, Empowerment, Enslavement, and Transformation: The Thing-Narrative in The Winter’s Tale | Abstract PDF |
| Haoshen Ma | ||
| Vol 3, No 3 (2022) | Modelling Analysis of Stroke Consistency of Latin Letters and Chinese Characters | Abstract PDF |
| Yinghui Zhang | ||
| Vol 2, No 1 (2021) | Movie Narrative: A Study on the Narrative Beat of Movie Scenes | Abstract PDF |
| Jiatong Han | ||
| Vol 7, No 1 (2026) | Multi-dimensional Creation of Artistic Atmosphere of Soft Decoration under the Technology Empowerment: Practice of Intelligent Matching and Personalized Design | Abstract PDF |
| Yi Wu | ||
| Vol 3, No 3 (2022) | Multi-modal Discourse Analysis of Character Interaction in Drama Pygmalion | Abstract PDF |
| Xiaoying He, Yongcheng Cao | ||
| Vol 6, No 6 (2025) | Music Therapy and the Art of Elderly Mind-Body Remodelling | Abstract PDF |
| Qinyuan Wang, Ying Zhong, Yanyi Wang | ||
| Vol 6, No 6 (2025) | My Contemporary National Instrumental Music Creation: Searching for My Own Voice Between Tradition and Modernity | Abstract PDF |
| Si'ang Chen | ||
| Vol 6, No 1 (2025) | Narrative Characteristics and Artistic Features of Chen Zhongshi's Novel White Deer Plain: A New Exploration | Abstract PDF |
| Xinyan Weng, Feiyan Xu, Jiacheng Liu | ||
| Vol 7, No 3 (2026) | Narrative Construction and Cultural Communication of Chaoshan Dialect Films from the Perspective of Cultural Memory — A Case Study of Dear You | Abstract PDF |
| Daxi Qiu, Wanzhen Zhang | ||
| Vol 2, No 4 (2021) | National Music Promotion and Inheritance Strategies Based on the Perspective of Intangible Cultural Heritage | Abstract PDF |
| Lu Kang | ||
| Vol 5, No 5 (2024) | National Trend Elements Based on Young Consumers Are Reflected in Sports Brand Product Design | Abstract PDF |
| Weikang Zhao, Mustaffa Halabi Azahari | ||
| Vol 5, No 1 (2024) | Navigating the Future Landscape: Probing the Mechanism and Feeding Model of AI within Theatrical Arts | Abstract PDF |
| Hua Feng | ||
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