| Issue | Title | |
| Vol 2, No 3 (2021) | The Influence of "Art Teaching Guide" on the Concept of Art Education, Teaching Practice and Art Teacher Education in China | Abstract PDF |
| Hui Li | ||
| Vol 3, No 3 (2022) | The Influence of Chinese Painting on Contemporary Art Education in the Context of Traditional Culture | Abstract PDF |
| Beibei Gao, Ting Cao | ||
| Vol 4, No 1 (2023) | The Influence of Gender Expression in "The Dream of the Red Chamber" on Chinese | Abstract PDF |
| Jingyuan Ma | ||
| Vol 2, No 3 (2021) | The Inheritance and Development of Dunhuang Dance to the Musical Dance Art of Dunhuang Frescoes | Abstract PDF |
| Shuqin Li, Tingting Li | ||
| Vol 3, No 1 (2022) | The Inheritance of Intangible Cultural Heritage Velvet Flowers from the Modern Perspective | Abstract PDF |
| Wanlin Hu, Xuesong Yang | ||
| Vol 5, No 3 (2024) | The Integration Characteristics and Cultural Connotations of Folk Songs in the Middle and Upper Reaches of the Yellow River | Abstract PDF |
| Mingzhe Li | ||
| Vol 5, No 4 (2024) | The Interpretation of Appeal and Quest for Peace in The Fifth Book of Peace | Abstract PDF |
| Yixuan Xia | ||
| Vol 3, No 4 (2022) | The Intrinsic Relationship Between Literary Theory and Criticism — Based on the Analysis of Bressler's "Literary Criticism: An Introduction to Theory and Practice" | Abstract PDF |
| Wenzhuo Dong | ||
| Vol 5, No 4 (2024) | The Market-Oriented Selection of Chinese Children's Films in the Perspective of Globalisation | Abstract PDF |
| Lepeng Ran, Yuchen Sun | ||
| Vol 1, No 1 (2020) | The Modern Shaping of Ancient Dance Figures — Research on the Contemporary Creation of Ancient People's Dance Images | Abstract PDF |
| Ruizhi Zhang | ||
| Vol 3, No 2 (2022) | The Music Image in the Image — On the Visual Representation of the Music Image in the Painting Exhibition of Qiu Xiaofei | Abstract PDF |
| Qian Meng | ||
| Vol 3, No 3 (2022) | The Practice of Art Gallery Group in Contemporary Museums | Abstract PDF |
| Xuechun Yuan | ||
| Vol 5, No 4 (2024) | The Reasons Why the "New Woman" Failed: A Case Study of Sue Bridehead | Abstract PDF |
| Miaomiao Feng | ||
| Vol 3, No 4 (2022) | The Relationship Between the Orientation of the Hand Symbols in Inscription on Bones and the Meaning | Abstract PDF |
| Yuqing Jia | ||
| Vol 5, No 1 (2024) | The Role of Color Psychology in Interaction Design | Abstract PDF |
| Wenbo Zhang, Mengyao Wang, Jiahui Zhang, Yiyi Feng, Chenxuan Wang | ||
| Vol 2, No 4 (2021) | The Role of Contour Line in Painting — an Analysis of Morandi's Still Life Painting | Abstract PDF |
| Jingru Liu, Mengqi Jin | ||
| Vol 5, No 3 (2024) | The Role of Quanzhou Taishi in the Revitalization of Rural Culture under the Perspective of Semiotics | Abstract PDF |
| Jiali Liu, Lin Tang, Huiting Lin, Yiping Qiu | ||
| Vol 3, No 1 (2022) | The Shaping of Diverse Masculinities by the Westernization of Men's Clothing in Modern China and Japan | Abstract PDF |
| Zhiwen Tian, Yu Liu | ||
| Vol 3, No 5 (2022) | The Spreading Influence of "Tide of Calligraphy — Itinerant Exhibition for Forty Years of Henan Calligraphy in the New Period" | Abstract PDF |
| Kaifang Tian | ||
| Vol 5, No 2 (2024) | The Style and Influence of Su Shi's Regular Script | Abstract PDF |
| Jiawei Zhang | ||
| Vol 2, No 4 (2021) | The Turn and Change of Chinese Contemporary Oil Painting Patterns | Abstract PDF |
| Jinjing Yang, Lan Chen | ||
| Vol 2, No 4 (2021) | The Turn of 20th Contemporary Art under the Big Social Crisis | Abstract PDF |
| Bijun Zhu | ||
| Vol 3, No 1 (2022) | The Two Paths to the End in the Film and Novel Lust﹒Caution | Abstract PDF |
| Jun He, Yangxia Miao, Sha Luo | ||
| Vol 3, No 1 (2022) | Theatrical Aesthetics of Solo Performance and Its Social Functions — Take the Example of Tim Miller's Glory Box | Abstract PDF |
| Min Zhang | ||
| Vol 5, No 4 (2024) | Theoretical Analysis and Practical Exploration of Enhancing Flute Section Ensemble Performance through Positive Interdependence Theory | Abstract PDF |
| Hongming Liu | ||
| 201 - 225 of 231 Items | << < 4 5 6 7 8 9 10 > >> | |