| Issue | Title | |
| Vol 7, No 2 (2026) | Innovative Expression and Aesthetic Value Reconstruction of Character Photography Art in the Digital Age | Abstract PDF |
| Kejia Bi | ||
| Vol 6, No 4 (2025) | Innovative Integration of Fu Poetic Form and Symphonic Composition: A Case Study of Nanhai Fu | Abstract PDF |
| Qianqian Zeng | ||
| Vol 5, No 3 (2024) | Innovative Multivoice Teaching Practices in Solfeggio Courses | Abstract PDF |
| Xiuhong Yan | ||
| Vol 5, No 5 (2024) | Innovative Practice of Art Education in Colleges and Universities Based on the Background of "Five-education Integration" | Abstract PDF |
| Xueqiong Chen | ||
| Vol 7, No 2 (2026) | Innovative Strategies and Approaches for the Living Transmission of Intangible Cultural Heritage Based on Digital Media Art | Abstract PDF |
| Yuanlin Huo | ||
| Vol 4, No 1 (2023) | Integration and Exploration of Digital Painting and Traditional Watercolor Painting | Abstract PDF |
| Jin Gao | ||
| Vol 5, No 2 (2024) | Interpretating and Performing the Musical Styles of Selected Chinese Art Songs Based on Mao Zedong's Poetry | Abstract PDF |
| Xiang Gao, Yap Jin Hin | ||
| Vol 7, No 3 (2026) | Intersections of Play and Perception: Experimental Cinema and the Exquisite Corpse | Abstract PDF |
| Zhulin Chang | ||
| Vol 5, No 6 (2024) | Intertextual Readings in Comparative Philosophical Perspective: Philosophical Reflections on Sarah Kane's Drama | Abstract PDF |
| Yufei Lin | ||
| Vol 3, No 2 (2022) | Investigation of the Design Concepts and Potential Problems of Defensive Jewelry | Abstract PDF |
| Jiaxin Wu | ||
| Vol 6, No 3 (2025) | IP Derivative Development of Musicals: Extending from the Stage to Diverse Consumption Scenarios | Abstract PDF |
| Jiaxinyu Lin | ||
| Vol 1, No 1 (2020) | Leaving Blank Space — the Highest Realm of Chinese Painting | Abstract PDF |
| Donghua Yu | ||
| Vol 7, No 1 (2026) | Limited Freedom: The Illusion and Reality of “Empowering” Audiences in Interactive Cinema | Abstract PDF |
| Chenxi Gao | ||
| Vol 3, No 1 (2022) | Literature, Sexual Violence, and Female Bonding: How does Fang Siqi's Paradise of First Love Explore the Possibility of Women's Writing Through Its Language? | Abstract PDF |
| Ruimeng Qi | ||
| Vol 7, No 2 (2026) | Localizing Estill Voice Training for Mandarin Musical Theatre Singing | Abstract PDF |
| Miaoying Lin | ||
| Vol 3, No 6 (2022) | Love Lasts Forever: An Exploration of Love Based on Works of Art | Abstract PDF |
| Margaret Ma | ||
| Vol 3, No 3 (2022) | Material-immaterial Duality of Digitaized Media | Abstract PDF |
| Zilu Cai | ||
| Vol 3, No 3 (2022) | Media Montage Interpretation of Immersive Art Space | Abstract PDF |
| Xiaomin Ren | ||
| Vol 5, No 6 (2024) | Media Technologies and Platforms Have a Huge Impact on Football Fandom | Abstract PDF |
| Sixian Li | ||
| Vol 7, No 3 (2026) | Memory Writing and National Identity in Treasure Island | Abstract PDF |
| Chenrui Yuwen, Yanhua Lyu | ||
| Vol 6, No 1 (2025) | Metaphor, Empowerment, Enslavement, and Transformation: The Thing-Narrative in The Winter’s Tale | Abstract PDF |
| Haoshen Ma | ||
| Vol 3, No 3 (2022) | Modelling Analysis of Stroke Consistency of Latin Letters and Chinese Characters | Abstract PDF |
| Yinghui Zhang | ||
| Vol 2, No 1 (2021) | Movie Narrative: A Study on the Narrative Beat of Movie Scenes | Abstract PDF |
| Jiatong Han | ||
| Vol 7, No 1 (2026) | Multi-dimensional Creation of Artistic Atmosphere of Soft Decoration under the Technology Empowerment: Practice of Intelligent Matching and Personalized Design | Abstract PDF |
| Yi Wu | ||
| Vol 3, No 3 (2022) | Multi-modal Discourse Analysis of Character Interaction in Drama Pygmalion | Abstract PDF |
| Xiaoying He, Yongcheng Cao | ||
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