| Issue | Title | |
| Vol 3, No 2 (2022) | On Auditory Narratology in The Ivory Acrobat | Abstract PDF |
| Rui Zhang | ||
| Vol 3, No 3 (2022) | On Bodily Transformation in the Ritual Context of Mask in Dance Performance | Abstract PDF |
| Chenjing Shen | ||
| Vol 2, No 4 (2021) | On Contemporary Female Seal-carving Artists | Abstract PDF |
| Chenfu Sun | ||
| Vol 5, No 5 (2024) | On the Ambiguity in Virginia Woolf's Novel To the Lighthouse from the Perspective of Dual Narrative Procession | Abstract PDF |
| Qiong Yu | ||
| Vol 1, No 2 (2020) | On the Artistic Features of Jiangxi Regional Folk Dance “Gannan Tea-picking” | Abstract PDF |
| Xiang Wu | ||
| Vol 2, No 2 (2021) | On the Artistic Value of Literary Ekphrasis | Abstract PDF |
| Zhangfan Shangguan, Dong Wang | ||
| Vol 1, No 1 (2020) | On the Basic Requirements and Problems of Piano Performance Technology | Abstract PDF |
| Jiayi Mao | ||
| Vol 3, No 3 (2022) | On the Design of Cyberpunk Female Image in Cyberpunk Films | Abstract PDF |
| Jiayang Li | ||
| Vol 2, No 4 (2021) | On the Expressive Techniques and Artistic Conception of Chinese Flute Playing Works | Abstract PDF |
| Zhinuo Tang | ||
| Vol 5, No 4 (2024) | On the Inheritance of Excellent Traditional Chinese Culture in the Creation of New Media Art | Abstract PDF |
| Siqi Xu | ||
| Vol 1, No 2 (2020) | On the Recursion of Syntax and Discourse Structure in Linguistics and the Recursion of Chinese Traditional Landscape Painting | Abstract PDF |
| Wenqing Li | ||
| Vol 3, No 1 (2022) | On the Return Journey to the Picturesqueness | Abstract PDF |
| Yuhao Huang | ||
| Vol 2, No 3 (2021) | On the Revival of Seal Script in Qing Dynasty | Abstract PDF |
| Jiale Dai | ||
| Vol 5, No 3 (2024) | On the Scene Construction and Atmosphere Creation in Drama, Film and Television Art Design | Abstract PDF |
| Jia Cui | ||
| Vol 2, No 1 (2021) | On the Value of Aesthetic Education in Solfeggio Courses | Abstract PDF |
| Qian Huang | ||
| Vol 2, No 4 (2021) | On the Way to Three-dimension — "Les Demoiselles D'Avignon" by Picasso | Abstract PDF |
| Xiaoyu Kang | ||
| Vol 1, No 3 (2020) | On Translation of Social Terms in Hong Lou Meng | Abstract PDF |
| Liqun Tsao | ||
| Vol 5, No 3 (2024) | On Verbal Humour Translation from English to Chinese in Subtitles of Stand-up Comedies under the General Theory of Verbal Humour | Abstract PDF |
| Qingyi Zhang | ||
| Vol 2, No 4 (2021) | Overview of Exhibition Work of the First Jinan International Biennale | Abstract PDF |
| Wei Mu | ||
| Vol 5, No 6 (2024) | Paris as a Sanctuary: American Literary Exodus During Prohibition in Hemingway's "A Moveable Feast" | Abstract PDF |
| Xiaoyi Yang | ||
| Vol 5, No 2 (2024) | Pattern Design Art in Paper Packaging Innovation Analysis | Abstract PDF |
| Zhenyi Xia | ||
| Vol 5, No 2 (2024) | Performance Analysis of Kusyakov's Sonata No. 4 | Abstract PDF |
| Yaxuan Zhang | ||
| Vol 5, No 5 (2024) | Plot Lines and Narrative Strategies of Short Video News-analysis of Short Video Works Based on the 28th-32nd China News Awards | Abstract PDF |
| Chun Yang | ||
| Vol 5, No 5 (2024) | Portuguese-Macao Border Dispute: Sovereignty and Colonial Resistance in the Early 20th Century | Abstract PDF |
| Jiarong Li | ||
| Vol 5, No 1 (2024) | Practical Research on Tao Xingzhi's Educational Thought of "Integration of Teaching and Doing" in Art Teaching — Taking Flower Carpet as an Example | Abstract PDF |
| Lele Chu, Lingxi Zhou | ||
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