| Issue | Title | |
| Vol 3, No 4 (2022) | Staff Notation or Numbered Music Notation That Is the Question: A Brief History of Numbered Music Notation and an Examination on Its Effectiveness of Music Learning | Abstract PDF |
| Chia-Lun Chang | ||
| Vol 3, No 6 (2022) | Statistical Thinking and New Forms of Contemporary Art under the Background of Big Data | Abstract PDF |
| Zheng Wang | ||
| Vol 5, No 3 (2024) | Strategies for Applying the Concept of Human-centered Education in Dance Teaching | Abstract PDF |
| Shaohan Hou | ||
| Vol 3, No 1 (2022) | Study on Design of Interactive Advertising in the Environment of New Media | Abstract PDF |
| Wensi Meng, Lingzi Huang | ||
| Vol 3, No 3 (2022) | Study on the Design Implication of Auspicious Patterns of Huizhou Traditional Architectural Components — Taking Windows as an Example | Abstract PDF |
| You He | ||
| Vol 2, No 4 (2021) | subway advertising, service system, travel purpose, precise placement | Abstract PDF |
| Yuxiao Tu, Zheng Li | ||
| Vol 3, No 2 (2022) | Summary and Initial Exploration of Barbara Gail Montero's Article "The Artist as Critic: Dance Training, Neuroscience, and Aesthetic Evaluation" | Abstract PDF |
| Yang Liu | ||
| Vol 3, No 2 (2022) | The Application of Chinese Traditional Patterns in the Design of Tourist Literature | Abstract PDF |
| Yue Zhang | ||
| Vol 2, No 2 (2021) | The Application of Piano Art Direction in National Vocal Works | Abstract PDF |
| Xue Qiao | ||
| Vol 3, No 2 (2022) | The Artistic Expression of the Spiritual Characteristics of the Gods and Monsters in The Classic of Mountains and Seas in Contemporary Illustrations | Abstract PDF |
| Yajie Hu | ||
| Vol 5, No 3 (2024) | The Artistic Philosophy and Cultural Connotation of Printmaking Technology — Taking Woodblock Prints as an Example | Abstract PDF |
| Mingyi Li, Jiang Lyu | ||
| Vol 2, No 2 (2021) | The Content and Enlightenment of the National Core Arts Standards of the United States | Abstract PDF |
| Mengjia Zhang | ||
| Vol 2, No 2 (2021) | The Cultivation of Students' Musical Expressiveness in Piano Performance Teaching | Abstract PDF |
| Xiao Han | ||
| Vol 5, No 3 (2024) | The Development and Consummation of Minimalism: a "Subtractive Aesthetics" | Abstract PDF |
| Xunmei Luo | ||
| Vol 1, No 1 (2020) | The Development of the Concept and Content of Screen Dance | Abstract PDF |
| Yufei Mao | ||
| Vol 5, No 1 (2024) | The Differences between Traditional Chinese Clothing Aesthetics and Western Clothing Aesthetics | Abstract PDF |
| Xiayi Zhang | ||
| Vol 1, No 2 (2020) | The Distinction Between Pastoral and Elegy — the Interpretation of the Causes for the Tragic Ending of Border Town | Abstract PDF |
| Jiashu Dai, Weijuan Wang, Xiangyi Li | ||
| Vol 5, No 2 (2024) | The Effective Use of Musical Ice Breaking Activities | Abstract PDF |
| Wenlong Zhang | ||
| Vol 3, No 3 (2022) | The English Translation of the Classic Chinese Novel Chin P'ing Mei in the Context of Anglo-American Censorship | Abstract PDF |
| Hao Chen | ||
| Vol 2, No 4 (2021) | The Experimental Research on Stylized Teaching Method Used in the Art Guidance of Chinese Undergraduates (Piano Accompaniment) — Take the Teaching of Haidun Piano Sonata as an Example | Abstract PDF |
| Liang Zhou | ||
| Vol 2, No 3 (2021) | The Influence of "Art Teaching Guide" on the Concept of Art Education, Teaching Practice and Art Teacher Education in China | Abstract PDF |
| Hui Li | ||
| Vol 3, No 3 (2022) | The Influence of Chinese Painting on Contemporary Art Education in the Context of Traditional Culture | Abstract PDF |
| Beibei Gao, Ting Cao | ||
| Vol 4, No 1 (2023) | The Influence of Gender Expression in "The Dream of the Red Chamber" on Chinese | Abstract PDF |
| Jingyuan Ma | ||
| Vol 2, No 3 (2021) | The Inheritance and Development of Dunhuang Dance to the Musical Dance Art of Dunhuang Frescoes | Abstract PDF |
| Shuqin Li, Tingting Li | ||
| Vol 3, No 1 (2022) | The Inheritance of Intangible Cultural Heritage Velvet Flowers from the Modern Perspective | Abstract PDF |
| Wanlin Hu, Xuesong Yang | ||
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