| Issue | Title | |
| Vol 5, No 3 (2024) | Innovative Multivoice Teaching Practices in Solfeggio Courses | Abstract PDF |
| Xiuhong Yan | ||
| Vol 4, No 1 (2023) | Integration and Exploration of Digital Painting and Traditional Watercolor Painting | Abstract PDF |
| Jin Gao | ||
| Vol 5, No 2 (2024) | Interpretating and Performing the Musical Styles of Selected Chinese Art Songs Based on Mao Zedong's Poetry | Abstract PDF |
| Xiang Gao, Yap Jin Hin | ||
| Vol 3, No 2 (2022) | Investigation of the Design Concepts and Potential Problems of Defensive Jewelry | Abstract PDF |
| Jiaxin Wu | ||
| Vol 1, No 1 (2020) | Leaving Blank Space — the Highest Realm of Chinese Painting | Abstract PDF |
| Donghua Yu | ||
| Vol 3, No 1 (2022) | Literature, Sexual Violence, and Female Bonding: How does Fang Siqi's Paradise of First Love Explore the Possibility of Women's Writing Through Its Language? | Abstract PDF |
| Ruimeng Qi | ||
| Vol 3, No 6 (2022) | Love Lasts Forever: An Exploration of Love Based on Works of Art | Abstract PDF |
| Margaret Ma | ||
| Vol 3, No 3 (2022) | Material-immaterial Duality of Digitaized Media | Abstract PDF |
| Zilu Cai | ||
| Vol 3, No 3 (2022) | Media Montage Interpretation of Immersive Art Space | Abstract PDF |
| Xiaomin Ren | ||
| Vol 3, No 3 (2022) | Modelling Analysis of Stroke Consistency of Latin Letters and Chinese Characters | Abstract PDF |
| Yinghui Zhang | ||
| Vol 2, No 1 (2021) | Movie Narrative: A Study on the Narrative Beat of Movie Scenes | Abstract PDF |
| Jiatong Han | ||
| Vol 3, No 3 (2022) | Multi-modal Discourse Analysis of Character Interaction in Drama Pygmalion | Abstract PDF |
| Xiaoying He, Yongcheng Cao | ||
| Vol 2, No 4 (2021) | National Music Promotion and Inheritance Strategies Based on the Perspective of Intangible Cultural Heritage | Abstract PDF |
| Lu Kang | ||
| Vol 5, No 1 (2024) | Navigating the Future Landscape: Probing the Mechanism and Feeding Model of AI within Theatrical Arts | Abstract PDF |
| Hua Feng | ||
| Vol 2, No 4 (2021) | "Not Resembling" in Ni Zan's Landscape | Abstract PDF |
| Hao Cao | ||
| Vol 3, No 1 (2022) | Observation and Thinking of Digital Music Industry — Analysis Based on Streaming Music | Abstract PDF |
| Xinran Wang | ||
| Vol 3, No 2 (2022) | On Auditory Narratology in The Ivory Acrobat | Abstract PDF |
| Rui Zhang | ||
| Vol 3, No 3 (2022) | On Bodily Transformation in the Ritual Context of Mask in Dance Performance | Abstract PDF |
| Chenjing Shen | ||
| Vol 2, No 4 (2021) | On Contemporary Female Seal-carving Artists | Abstract PDF |
| Chenfu Sun | ||
| Vol 1, No 2 (2020) | On the Artistic Features of Jiangxi Regional Folk Dance “Gannan Tea-picking” | Abstract PDF |
| Xiang Wu | ||
| Vol 2, No 2 (2021) | On the Artistic Value of Literary Ekphrasis | Abstract PDF |
| Zhangfan Shangguan, Dong Wang | ||
| Vol 1, No 1 (2020) | On the Basic Requirements and Problems of Piano Performance Technology | Abstract PDF |
| Jiayi Mao | ||
| Vol 3, No 3 (2022) | On the Design of Cyberpunk Female Image in Cyberpunk Films | Abstract PDF |
| Jiayang Li | ||
| Vol 2, No 4 (2021) | On the Expressive Techniques and Artistic Conception of Chinese Flute Playing Works | Abstract PDF |
| Zhinuo Tang | ||
| Vol 1, No 2 (2020) | On the Recursion of Syntax and Discourse Structure in Linguistics and the Recursion of Chinese Traditional Landscape Painting | Abstract PDF |
| Wenqing Li | ||
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