| Issue | Title | |
| Vol 2, No 4 (2021) | The Turn of 20th Contemporary Art under the Big Social Crisis | Abstract PDF |
| Bijun Zhu | ||
| Vol 3, No 1 (2022) | The Two Paths to the End in the Film and Novel Lust﹒Caution | Abstract PDF |
| Jun He, Yangxia Miao, Sha Luo | ||
| Vol 5, No 6 (2024) | The Urban Spatial Narratives in Chinese Cinema: Regional Characteristics and Social Transformation in Chongqing | Abstract PDF |
| Yajie Chen | ||
| Vol 5, No 6 (2024) | The View of Artistic Function before and after the “Art Revolution” Theory | Abstract PDF |
| Wenjing Zou | ||
| Vol 3, No 1 (2022) | Theatrical Aesthetics of Solo Performance and Its Social Functions — Take the Example of Tim Miller's Glory Box | Abstract PDF |
| Min Zhang | ||
| Vol 5, No 4 (2024) | Theoretical Analysis and Practical Exploration of Enhancing Flute Section Ensemble Performance through Positive Interdependence Theory | Abstract PDF |
| Hongming Liu | ||
| Vol 6, No 4 (2025) | Thoughts on the Creation of Chinese Landscape Painting Based on Painting from Life | Abstract PDF |
| Lesheng Ji | ||
| Vol 5, No 1 (2024) | Tibetan in Painting: The Embodiment of the Idea of Impermanence in the Animation "The Return of the Great Sage" | Abstract PDF |
| Yang Yuan, Jingqi Qiu | ||
| Vol 7, No 2 (2026) | Transformation Mechanisms of Traditional Music in Tourism Contexts: A Case Study of Nanyin | Abstract PDF |
| Xin Chen | ||
| Vol 6, No 3 (2025) | Transforming the Museum — New Directions | Abstract PDF |
| Di Lu | ||
| Vol 5, No 2 (2024) | Trends and Prospects of the Fashion Production Industry | Abstract PDF |
| Xi Liang | ||
| Vol 2, No 1 (2021) | Uncuttable Bond: Willie’s Changing Perception of His Father and His Identity | Abstract PDF |
| Jingyin Xu | ||
| Vol 6, No 2 (2025) | University Media Communication and Student Engagement: The Impact of Interactive Content on Dissemination Effectiveness | Abstract PDF |
| Wenjie Li, Hongnan Guo, Kailin Li | ||
| Vol 3, No 4 (2022) | Vaporwave — Anti-Capitalism Internet Music | Abstract PDF |
| Huizhi Zhang | ||
| Vol 7, No 2 (2026) | "Washing" and "Waiting": The Allegory of Post-Industrial Labor and the Crisis of Subjectivity in Donald Barthelme's Snow White | Abstract PDF |
| Yanbin Lu | ||
| Vol 6, No 1 (2025) | Weaving Tradition into Practical Innovation: Design Research on Chinese Knotting Craft | Abstract PDF |
| Jiatong Xie | ||
| Vol 5, No 6 (2024) | What is Happiness? — An Initial Exploration of Social Ethics in "Persuasion" | Abstract PDF |
| Jianing Guo, Lingwei Meng | ||
| Vol 2, No 4 (2021) | What Was the Visual Appeal of Kabuki? | Abstract PDF |
| Hao Cao | ||
| Vol 3, No 5 (2022) | Wilhelm von Bode's Way of Art Appraisal | Abstract PDF |
| Yawen Sun | ||
| Vol 7, No 4 (2026) | Woven for the Few, Transmitted for the Many: The Institution-Craftsmanship-Aesthetics Triadic Structure and Organizational Transmission Pathways of Nanjing Yunjin Brocade | Abstract PDF |
| Yangmanni Zhang | ||
| Vol 5, No 5 (2024) | “A Triumph of the Gaze over the Eye”: Gaze in Nathaniel Hawthorne’s The Scarlet Letter and Nino Ricci’s Lives of the Saints | Abstract PDF |
| Yiming Wang | ||
| Vol 5, No 5 (2024) | “Su Shi and Henan”: Exploration and Practice of Contemporary Little Theater Drama | Abstract PDF |
| Siyi Cheng | ||
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