| Issue | Title | |
| Vol 7, No 1 (2026) | The Pedagogical Value and Vocal Challenges of Tenor Solo Parts from the Baroque Period to the 20th Century: Take Handel’s Messiah, Haydn’s The Creation and Mendelssohn’s Elijah as Examples | Abstract PDF |
| Congzhi Lin | ||
| Vol 6, No 4 (2025) | The Political Governance Ideas of the Han Dynasty Reflected by the Differences in the Food Culture Class of the Han Dynasty in "On Salt and Iron" | Abstract PDF |
| Shuohan Cong | ||
| Vol 5, No 6 (2024) | The Power of Animal Images: How Museums Tell the Story of Animal Symbols: Case study of the Museum Catharijneconvent | Abstract PDF |
| Ziyuan Yang | ||
| Vol 7, No 3 (2026) | The Practical Application of Traditional Music Aesthetic Concepts in Yangqin Art Creation | Abstract PDF |
| Ruohan Zhai | ||
| Vol 7, No 4 (2026) | The Practical Transformation of Morandi's Still Life Formal Language in Chinese Contemporary Still Life Oil Painting under the Thinking of Minimalist Composition | Abstract PDF |
| Jun Tu | ||
| Vol 3, No 3 (2022) | The Practice of Art Gallery Group in Contemporary Museums | Abstract PDF |
| Xuechun Yuan | ||
| Vol 6, No 6 (2025) | The "Presence" and "Trace" of Media: on the Reconstruction of The Materiality of Oil Painting in the Digital Age | Abstract PDF |
| Yanfeng Wang | ||
| Vol 5, No 6 (2024) | The Promoting Role of the Media Industry in the Development of the Cultural Industry | Abstract PDF |
| Jiaying Zhou | ||
| Vol 5, No 4 (2024) | The Reasons Why the "New Woman" Failed: A Case Study of Sue Bridehead | Abstract PDF |
| Miaomiao Feng | ||
| Vol 6, No 2 (2025) | The Relation between Father and Son in Seize the Day from the Perspective of Lacanianism | Abstract PDF |
| Jingqi Hu | ||
| Vol 3, No 4 (2022) | The Relationship Between the Orientation of the Hand Symbols in Inscription on Bones and the Meaning | Abstract PDF |
| Yuqing Jia | ||
| Vol 7, No 1 (2026) | The Role and Model of Interdisciplinary Cooperation in Design Innovation | Abstract PDF |
| Qixuan Cheng | ||
| Vol 5, No 1 (2024) | The Role of Color Psychology in Interaction Design | Abstract PDF |
| Wenbo Zhang, Mengyao Wang, Jiahui Zhang, Yiyi Feng, Chenxuan Wang | ||
| Vol 2, No 4 (2021) | The Role of Contour Line in Painting — an Analysis of Morandi's Still Life Painting | Abstract PDF |
| Jingru Liu, Mengqi Jin | ||
| Vol 5, No 6 (2024) | The Role of Intangible Cultural Heritage in Decolonizing Music Curricula: Intercultural Approaches in School Education | Abstract PDF |
| Yuhan Wan | ||
| Vol 6, No 5 (2025) | The Role of Music in Facilitating Social Connections: An Empirical Study on Genre Preferences | Abstract PDF |
| Jiahe Zhu | ||
| Vol 5, No 3 (2024) | The Role of Quanzhou Taishi in the Revitalization of Rural Culture under the Perspective of Semiotics | Abstract PDF |
| Jiali Liu, Lin Tang, Huiting Lin, Yiping Qiu | ||
| Vol 7, No 2 (2026) | The Role Transformation and Spatial Innovation of Stage Design | Abstract PDF |
| Songyun Wei | ||
| Vol 6, No 3 (2025) | The Sagrada Familia: the Philosophical Evolution of Art from Naturalism to Post-sacredness | Abstract PDF |
| Zhicheng Cai | ||
| Vol 3, No 1 (2022) | The Shaping of Diverse Masculinities by the Westernization of Men's Clothing in Modern China and Japan | Abstract PDF |
| Zhiwen Tian, Yu Liu | ||
| Vol 6, No 3 (2025) | The Spread and Evolution of the Pipa on the Silk Road: Instrument Form and Musical Memory in Cross-cultural Flows | Abstract PDF |
| Fan Lu | ||
| Vol 3, No 5 (2022) | The Spreading Influence of "Tide of Calligraphy — Itinerant Exhibition for Forty Years of Henan Calligraphy in the New Period" | Abstract PDF |
| Kaifang Tian | ||
| Vol 5, No 2 (2024) | The Style and Influence of Su Shi's Regular Script | Abstract PDF |
| Jiawei Zhang | ||
| Vol 5, No 6 (2024) | The Tragic and Comic Elements in Yuan Zaju — A Study of Classical Chinese Drama | Abstract PDF |
| SURINA E | ||
| Vol 2, No 4 (2021) | The Turn and Change of Chinese Contemporary Oil Painting Patterns | Abstract PDF |
| Jinjing Yang, Lan Chen | ||
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