| Issue | Title | |
| Vol 3, No 2 (2022) | The Application of Chinese Traditional Patterns in the Design of Tourist Literature | Abstract PDF |
| Yue Zhang | ||
| Vol 2, No 2 (2021) | The Application of Piano Art Direction in National Vocal Works | Abstract PDF |
| Xue Qiao | ||
| Vol 6, No 6 (2025) | The Application of the Kodály Teaching Method in Chinese Primary School Music Classes | Abstract PDF |
| Peirui Li | ||
| Vol 3, No 2 (2022) | The Artistic Expression of the Spiritual Characteristics of the Gods and Monsters in The Classic of Mountains and Seas in Contemporary Illustrations | Abstract PDF |
| Yajie Hu | ||
| Vol 5, No 6 (2024) | The Artistic Inheritance and Spiritual Healing of Lotus Culture | Abstract PDF |
| Dandan Deng | ||
| Vol 5, No 3 (2024) | The Artistic Philosophy and Cultural Connotation of Printmaking Technology — Taking Woodblock Prints as an Example | Abstract PDF |
| Mingyi Li, Jiang Lyu | ||
| Vol 5, No 5 (2024) | The Beacon of New Music Monthly: Li Ling and Zhao Feng | Abstract PDF |
| Ke Zhang | ||
| Vol 5, No 5 (2024) | The Beauty of Convergence in the Digital Age: Design Connecting Culture and Technology | Abstract PDF |
| Junyan Chen, Hao Zhang | ||
| Vol 5, No 4 (2024) | The Choral Art in the Opera Carmen: Analysis of Emotions with Affinity to the People and Exploration of Expressive Tension | Abstract PDF |
| Na Pan | ||
| Vol 7, No 2 (2026) | The Construction and Resistance of the Female Other in Sylvia Plath’s The Bell Jar | Abstract PDF |
| Xiyuan Chen | ||
| Vol 6, No 5 (2025) | The Construction of Cultural Memory in Cross-media Narrative — The Adaptation of the Text of "Going North" and the Intertextuality of Film and Television | Abstract PDF |
| Xiaofei Liu | ||
| Vol 5, No 6 (2024) | The Construction of White Supremacy through White Ideals in The Bluest Eye | Abstract PDF |
| Weiwei Deng, Jun Deng, Hai Bai, Anjie Gong, Fanglan Shu | ||
| Vol 6, No 3 (2025) | The Construction Strategy of Tourism Performance Brands in Art Community Building — Taking Xunpu Village as an Example | Abstract PDF |
| Yuying Huang, Jie Zou, Zhenqi Huang, Ketao Lin, Jie Ye | ||
| Vol 2, No 2 (2021) | The Content and Enlightenment of the National Core Arts Standards of the United States | Abstract PDF |
| Mengjia Zhang | ||
| Vol 2, No 2 (2021) | The Cultivation of Students' Musical Expressiveness in Piano Performance Teaching | Abstract PDF |
| Xiao Han | ||
| Vol 5, No 5 (2024) | The Death and Female Beauty in Robert Browning’s “Porphyria’s Lover” (1836) and Pu Songling’s “Lotus Fragrance” (1740) | Abstract PDF |
| Hang Li | ||
| Vol 6, No 3 (2025) | The Deconstruction and Reconstruction of Identity in a Globalized Context: An Analysis of Community in Zadie Smith’s Swing Time | Abstract PDF |
| Yu Wang | ||
| Vol 6, No 6 (2025) | The Depiction of Justice and Daily Life in Dirk Bouts' "The Justice of Emperor Otto III": A Window into the Northern Renaissance | Abstract PDF |
| Yuqing Xie | ||
| Vol 5, No 6 (2024) | The Design and Implementation of Project-Based Learning in Middle School Art Instruction — Taking the Monochrome Prints as an Example | Abstract PDF |
| Ping Sun | ||
| Vol 5, No 3 (2024) | The Development and Consummation of Minimalism: a "Subtractive Aesthetics" | Abstract PDF |
| Xunmei Luo | ||
| Vol 1, No 1 (2020) | The Development of the Concept and Content of Screen Dance | Abstract PDF |
| Yufei Mao | ||
| Vol 6, No 2 (2025) | The Development Process and Musical Significance of the African Drum | Abstract PDF |
| Yukun Chen | ||
| Vol 5, No 6 (2024) | The Dialogue between Rothko's Aesthetic of Painting and Traditional Chinese Philosophy | Abstract PDF |
| Lishu Zhang | ||
| Vol 5, No 1 (2024) | The Differences between Traditional Chinese Clothing Aesthetics and Western Clothing Aesthetics | Abstract PDF |
| Xiayi Zhang | ||
| Vol 6, No 4 (2025) | The Dilemma of Educational Disciplinary Practices and Artistic Subjectivity: An Ethnographic Analysis of the Art Education Practices in Local Universities | Abstract PDF |
| Yifan Zhang | ||
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