| Issue | Title | |
| Vol 5, No 4 (2024) | The Market-Oriented Selection of Chinese Children's Films in the Perspective of Globalisation | Abstract PDF |
| Lepeng Ran, Yuchen Sun | ||
| Vol 1, No 1 (2020) | The Modern Shaping of Ancient Dance Figures — Research on the Contemporary Creation of Ancient People's Dance Images | Abstract PDF |
| Ruizhi Zhang | ||
| Vol 6, No 4 (2025) | The Modern Transformation of Chinese Ethnic and Folk Dance on University Stages | Abstract PDF |
| Yichao Chen | ||
| Vol 6, No 6 (2025) | The Moon Image in Chinese Classical Poetry Translation — from the Perspective of Cultural Translation Theory | Abstract PDF |
| Zikun Jiang | ||
| Vol 6, No 3 (2025) | The Multiverse Narrative in Rick and Morty: Non-Linear Temporality and Spatial Construction in Animation | Abstract PDF |
| Shuke Lin | ||
| Vol 3, No 2 (2022) | The Music Image in the Image — On the Visual Representation of the Music Image in the Painting Exhibition of Qiu Xiaofei | Abstract PDF |
| Qian Meng | ||
| Vol 6, No 4 (2025) | The New Media Communication Mechanism of "China in the Classics" from the Perspective of Multimodality | Abstract PDF |
| Sai Ma | ||
| Vol 6, No 2 (2025) | The Paradigm Reconstruction of Popular Singing Skills under Digital Ecology — Taking Virtual Idols as an Example | Abstract PDF |
| Xiangpeng Li | ||
| Vol 6, No 4 (2025) | The Path of Constructing Mental Health in Community Dance Education | Abstract PDF |
| Zhiyi Zhang | ||
| Vol 5, No 5 (2024) | The Path of Integrating Chinese Excellent Traditional Culture into College Art Education Curriculum | Abstract PDF |
| Ge Bian | ||
| Vol 7, No 1 (2026) | The Pedagogical Value and Vocal Challenges of Tenor Solo Parts from the Baroque Period to the 20th Century: Take Handel’s Messiah, Haydn’s The Creation and Mendelssohn’s Elijah as Examples | Abstract PDF |
| Congzhi Lin | ||
| Vol 6, No 4 (2025) | The Political Governance Ideas of the Han Dynasty Reflected by the Differences in the Food Culture Class of the Han Dynasty in "On Salt and Iron" | Abstract PDF |
| Shuohan Cong | ||
| Vol 5, No 6 (2024) | The Power of Animal Images: How Museums Tell the Story of Animal Symbols: Case study of the Museum Catharijneconvent | Abstract PDF |
| Ziyuan Yang | ||
| Vol 7, No 3 (2026) | The Practical Application of Traditional Music Aesthetic Concepts in Yangqin Art Creation | Abstract PDF |
| Ruohan Zhai | ||
| Vol 3, No 3 (2022) | The Practice of Art Gallery Group in Contemporary Museums | Abstract PDF |
| Xuechun Yuan | ||
| Vol 6, No 6 (2025) | The "Presence" and "Trace" of Media: on the Reconstruction of The Materiality of Oil Painting in the Digital Age | Abstract PDF |
| Yanfeng Wang | ||
| Vol 5, No 6 (2024) | The Promoting Role of the Media Industry in the Development of the Cultural Industry | Abstract PDF |
| Jiaying Zhou | ||
| Vol 5, No 4 (2024) | The Reasons Why the "New Woman" Failed: A Case Study of Sue Bridehead | Abstract PDF |
| Miaomiao Feng | ||
| Vol 6, No 2 (2025) | The Relation between Father and Son in Seize the Day from the Perspective of Lacanianism | Abstract PDF |
| Jingqi Hu | ||
| Vol 3, No 4 (2022) | The Relationship Between the Orientation of the Hand Symbols in Inscription on Bones and the Meaning | Abstract PDF |
| Yuqing Jia | ||
| Vol 7, No 1 (2026) | The Role and Model of Interdisciplinary Cooperation in Design Innovation | Abstract PDF |
| Qixuan Cheng | ||
| Vol 5, No 1 (2024) | The Role of Color Psychology in Interaction Design | Abstract PDF |
| Wenbo Zhang, Mengyao Wang, Jiahui Zhang, Yiyi Feng, Chenxuan Wang | ||
| Vol 2, No 4 (2021) | The Role of Contour Line in Painting — an Analysis of Morandi's Still Life Painting | Abstract PDF |
| Jingru Liu, Mengqi Jin | ||
| Vol 5, No 6 (2024) | The Role of Intangible Cultural Heritage in Decolonizing Music Curricula: Intercultural Approaches in School Education | Abstract PDF |
| Yuhan Wan | ||
| Vol 6, No 5 (2025) | The Role of Music in Facilitating Social Connections: An Empirical Study on Genre Preferences | Abstract PDF |
| Jiahe Zhu | ||
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