| Issue | Title | |
| Vol 2, No 3 (2021) | The Inheritance and Development of Dunhuang Dance to the Musical Dance Art of Dunhuang Frescoes | Abstract PDF |
| Shuqin Li, Tingting Li | ||
| Vol 6, No 4 (2025) | The Inheritance and Protection of Tibetan Opera Masks | Abstract PDF |
| Daiwei Li | ||
| Vol 3, No 1 (2022) | The Inheritance of Intangible Cultural Heritage Velvet Flowers from the Modern Perspective | Abstract PDF |
| Wanlin Hu, Xuesong Yang | ||
| Vol 6, No 5 (2025) | The Innovation Integration of Kazakhstan Traditional Cultural Elements into Modern Fashion Design | Abstract PDF |
| Xinrui Gao | ||
| Vol 6, No 1 (2025) | The Innovation of the TV Drama Nirvana in Fire in the Adaptation of Alternate Historical Novels | Abstract PDF |
| Yufei He | ||
| Vol 5, No 3 (2024) | The Integration Characteristics and Cultural Connotations of Folk Songs in the Middle and Upper Reaches of the Yellow River | Abstract PDF |
| Mingzhe Li | ||
| Vol 5, No 4 (2024) | The Interpretation of Appeal and Quest for Peace in The Fifth Book of Peace | Abstract PDF |
| Yixuan Xia | ||
| Vol 6, No 6 (2025) | The Manifestation of Seal Paste Usage and Material Evolution in Gan Yang's Treatise on Seals | Abstract PDF |
| Mingchao Lu | ||
| Vol 5, No 4 (2024) | The Market-Oriented Selection of Chinese Children's Films in the Perspective of Globalisation | Abstract PDF |
| Lepeng Ran, Yuchen Sun | ||
| Vol 1, No 1 (2020) | The Modern Shaping of Ancient Dance Figures — Research on the Contemporary Creation of Ancient People's Dance Images | Abstract PDF |
| Ruizhi Zhang | ||
| Vol 6, No 4 (2025) | The Modern Transformation of Chinese Ethnic and Folk Dance on University Stages | Abstract PDF |
| Yichao Chen | ||
| Vol 6, No 6 (2025) | The Moon Image in Chinese Classical Poetry Translation — from the Perspective of Cultural Translation Theory | Abstract PDF |
| Zikun Jiang | ||
| Vol 6, No 3 (2025) | The Multiverse Narrative in Rick and Morty: Non-Linear Temporality and Spatial Construction in Animation | Abstract PDF |
| Shuke Lin | ||
| Vol 3, No 2 (2022) | The Music Image in the Image — On the Visual Representation of the Music Image in the Painting Exhibition of Qiu Xiaofei | Abstract PDF |
| Qian Meng | ||
| Vol 6, No 4 (2025) | The New Media Communication Mechanism of "China in the Classics" from the Perspective of Multimodality | Abstract PDF |
| Sai Ma | ||
| Vol 6, No 2 (2025) | The Paradigm Reconstruction of Popular Singing Skills under Digital Ecology — Taking Virtual Idols as an Example | Abstract PDF |
| Xiangpeng Li | ||
| Vol 6, No 4 (2025) | The Path of Constructing Mental Health in Community Dance Education | Abstract PDF |
| Zhiyi Zhang | ||
| Vol 5, No 5 (2024) | The Path of Integrating Chinese Excellent Traditional Culture into College Art Education Curriculum | Abstract PDF |
| Ge Bian | ||
| Vol 7, No 1 (2026) | The Pedagogical Value and Vocal Challenges of Tenor Solo Parts from the Baroque Period to the 20th Century: Take Handel’s Messiah, Haydn’s The Creation and Mendelssohn’s Elijah as Examples | Abstract PDF |
| Congzhi Lin | ||
| Vol 6, No 4 (2025) | The Political Governance Ideas of the Han Dynasty Reflected by the Differences in the Food Culture Class of the Han Dynasty in "On Salt and Iron" | Abstract PDF |
| Shuohan Cong | ||
| Vol 5, No 6 (2024) | The Power of Animal Images: How Museums Tell the Story of Animal Symbols: Case study of the Museum Catharijneconvent | Abstract PDF |
| Ziyuan Yang | ||
| Vol 3, No 3 (2022) | The Practice of Art Gallery Group in Contemporary Museums | Abstract PDF |
| Xuechun Yuan | ||
| Vol 6, No 6 (2025) | The "Presence" and "Trace" of Media: on the Reconstruction of The Materiality of Oil Painting in the Digital Age | Abstract PDF |
| Yanfeng Wang | ||
| Vol 5, No 6 (2024) | The Promoting Role of the Media Industry in the Development of the Cultural Industry | Abstract PDF |
| Jiaying Zhou | ||
| Vol 5, No 4 (2024) | The Reasons Why the "New Woman" Failed: A Case Study of Sue Bridehead | Abstract PDF |
| Miaomiao Feng | ||
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