| Issue | Title | |
| Vol 5, No 3 (2024) | The Artistic Philosophy and Cultural Connotation of Printmaking Technology — Taking Woodblock Prints as an Example | Abstract PDF |
| Mingyi Li, Jiang Lyu | ||
| Vol 5, No 5 (2024) | The Beacon of New Music Monthly: Li Ling and Zhao Feng | Abstract PDF |
| Ke Zhang | ||
| Vol 5, No 5 (2024) | The Beauty of Convergence in the Digital Age: Design Connecting Culture and Technology | Abstract PDF |
| Junyan Chen, Hao Zhang | ||
| Vol 5, No 4 (2024) | The Choral Art in the Opera Carmen: Analysis of Emotions with Affinity to the People and Exploration of Expressive Tension | Abstract PDF |
| Na Pan | ||
| Vol 5, No 6 (2024) | The Construction of White Supremacy through White Ideals in The Bluest Eye | Abstract PDF |
| Weiwei Deng, Jun Deng, Hai Bai, Anjie Gong, Fanglan Shu | ||
| Vol 2, No 2 (2021) | The Content and Enlightenment of the National Core Arts Standards of the United States | Abstract PDF |
| Mengjia Zhang | ||
| Vol 2, No 2 (2021) | The Cultivation of Students' Musical Expressiveness in Piano Performance Teaching | Abstract PDF |
| Xiao Han | ||
| Vol 5, No 5 (2024) | The Death and Female Beauty in Robert Browning’s “Porphyria’s Lover” (1836) and Pu Songling’s “Lotus Fragrance” (1740) | Abstract PDF |
| Hang Li | ||
| Vol 5, No 6 (2024) | The Design and Implementation of Project-Based Learning in Middle School Art Instruction — Taking the Monochrome Prints as an Example | Abstract PDF |
| Ping Sun | ||
| Vol 5, No 3 (2024) | The Development and Consummation of Minimalism: a "Subtractive Aesthetics" | Abstract PDF |
| Xunmei Luo | ||
| Vol 1, No 1 (2020) | The Development of the Concept and Content of Screen Dance | Abstract PDF |
| Yufei Mao | ||
| Vol 5, No 6 (2024) | The Dialogue between Rothko's Aesthetic of Painting and Traditional Chinese Philosophy | Abstract PDF |
| Lishu Zhang | ||
| Vol 5, No 1 (2024) | The Differences between Traditional Chinese Clothing Aesthetics and Western Clothing Aesthetics | Abstract PDF |
| Xiayi Zhang | ||
| Vol 5, No 5 (2024) | The Dissemination Path of News Short Videos in Mainstream Media from the Perspective of Media Convergence | Abstract PDF |
| Lu Zhang | ||
| Vol 1, No 2 (2020) | The Distinction Between Pastoral and Elegy — the Interpretation of the Causes for the Tragic Ending of Border Town | Abstract PDF |
| Jiashu Dai, Weijuan Wang, Xiangyi Li | ||
| Vol 5, No 2 (2024) | The Effective Use of Musical Ice Breaking Activities | Abstract PDF |
| Wenlong Zhang | ||
| Vol 3, No 3 (2022) | The English Translation of the Classic Chinese Novel Chin P'ing Mei in the Context of Anglo-American Censorship | Abstract PDF |
| Hao Chen | ||
| Vol 5, No 5 (2024) | The Evolution of Visual Design: Balancing Innovation and Tradition in AI-Driven Enhancements | Abstract PDF |
| Qian Liu | ||
| Vol 2, No 4 (2021) | The Experimental Research on Stylized Teaching Method Used in the Art Guidance of Chinese Undergraduates (Piano Accompaniment) — Take the Teaching of Haidun Piano Sonata as an Example | Abstract PDF |
| Liang Zhou | ||
| Vol 5, No 6 (2024) | The Exploration of the Dynamic Relationship and Strategies between Actor Traits and Character Development | Abstract PDF |
| Yuxi Gao | ||
| Vol 6, No 1 (2025) | The Fun of Ink Art — An Analysis of Pu Guochang's Artistic Expression | Abstract PDF |
| Zeru Wu | ||
| Vol 5, No 4 (2024) | The Function of Color Elements in the Creation of Film and Television Art | Abstract PDF |
| Yanlin Ye | ||
| Vol 5, No 6 (2024) | The Function of Spatial Narrative as a Narrative Motivation and Metaphor: Take "The Crow and the Sparrow" as an Example | Abstract XML |
| Tianyu Sun | ||
| Vol 5, No 6 (2024) | The Healing Power of Tarot and the Eight Diagrams from the Perspective of Cultural Convergence Theory | Abstract PDF |
| Yulong Dai | ||
| Vol 6, No 1 (2025) | The "Her Suspense" and "Slow Narrative" in "The Long Season" and the British Drama "The Long Shadow" | Abstract PDF |
| Bangchen Shu | ||
| 251 - 275 of 321 Items | << < 6 7 8 9 10 11 12 13 > >> | |