| Issue | Title | |
| Vol 5, No 6 (2024) | Study on the Theme of Love and Social Gender Conflict in Oscar Wilde's Poetry | Abstract PDF |
| Chuyue Wang | ||
| Vol 2, No 4 (2021) | subway advertising, service system, travel purpose, precise placement | Abstract PDF |
| Yuxiao Tu, Zheng Li | ||
| Vol 3, No 2 (2022) | Summary and Initial Exploration of Barbara Gail Montero's Article "The Artist as Critic: Dance Training, Neuroscience, and Aesthetic Evaluation" | Abstract PDF |
| Yang Liu | ||
| Vol 6, No 1 (2025) | The Application and Practice of AI Empowering Cello Teaching | Abstract PDF |
| Han Wang | ||
| Vol 3, No 2 (2022) | The Application of Chinese Traditional Patterns in the Design of Tourist Literature | Abstract PDF |
| Yue Zhang | ||
| Vol 2, No 2 (2021) | The Application of Piano Art Direction in National Vocal Works | Abstract PDF |
| Xue Qiao | ||
| Vol 3, No 2 (2022) | The Artistic Expression of the Spiritual Characteristics of the Gods and Monsters in The Classic of Mountains and Seas in Contemporary Illustrations | Abstract PDF |
| Yajie Hu | ||
| Vol 5, No 6 (2024) | The Artistic Inheritance and Spiritual Healing of Lotus Culture | Abstract PDF |
| Dandan Deng | ||
| Vol 5, No 3 (2024) | The Artistic Philosophy and Cultural Connotation of Printmaking Technology — Taking Woodblock Prints as an Example | Abstract PDF |
| Mingyi Li, Jiang Lyu | ||
| Vol 5, No 5 (2024) | The Beacon of New Music Monthly: Li Ling and Zhao Feng | Abstract PDF |
| Ke Zhang | ||
| Vol 5, No 5 (2024) | The Beauty of Convergence in the Digital Age: Design Connecting Culture and Technology | Abstract PDF |
| Junyan Chen, Hao Zhang | ||
| Vol 5, No 4 (2024) | The Choral Art in the Opera Carmen: Analysis of Emotions with Affinity to the People and Exploration of Expressive Tension | Abstract PDF |
| Na Pan | ||
| Vol 5, No 6 (2024) | The Construction of White Supremacy through White Ideals in The Bluest Eye | Abstract PDF |
| Weiwei Deng, Jun Deng, Hai Bai, Anjie Gong, Fanglan Shu | ||
| Vol 2, No 2 (2021) | The Content and Enlightenment of the National Core Arts Standards of the United States | Abstract PDF |
| Mengjia Zhang | ||
| Vol 2, No 2 (2021) | The Cultivation of Students' Musical Expressiveness in Piano Performance Teaching | Abstract PDF |
| Xiao Han | ||
| Vol 5, No 5 (2024) | The Death and Female Beauty in Robert Browning’s “Porphyria’s Lover” (1836) and Pu Songling’s “Lotus Fragrance” (1740) | Abstract PDF |
| Hang Li | ||
| Vol 5, No 6 (2024) | The Design and Implementation of Project-Based Learning in Middle School Art Instruction — Taking the Monochrome Prints as an Example | Abstract PDF |
| Ping Sun | ||
| Vol 5, No 3 (2024) | The Development and Consummation of Minimalism: a "Subtractive Aesthetics" | Abstract PDF |
| Xunmei Luo | ||
| Vol 1, No 1 (2020) | The Development of the Concept and Content of Screen Dance | Abstract PDF |
| Yufei Mao | ||
| Vol 6, No 2 (2025) | The Development Process and Musical Significance of the African Drum | Abstract PDF |
| Yukun Chen | ||
| Vol 5, No 6 (2024) | The Dialogue between Rothko's Aesthetic of Painting and Traditional Chinese Philosophy | Abstract PDF |
| Lishu Zhang | ||
| Vol 5, No 1 (2024) | The Differences between Traditional Chinese Clothing Aesthetics and Western Clothing Aesthetics | Abstract PDF |
| Xiayi Zhang | ||
| Vol 5, No 5 (2024) | The Dissemination Path of News Short Videos in Mainstream Media from the Perspective of Media Convergence | Abstract PDF |
| Lu Zhang | ||
| Vol 1, No 2 (2020) | The Distinction Between Pastoral and Elegy — the Interpretation of the Causes for the Tragic Ending of Border Town | Abstract PDF |
| Jiashu Dai, Weijuan Wang, Xiangyi Li | ||
| Vol 5, No 2 (2024) | The Effective Use of Musical Ice Breaking Activities | Abstract PDF |
| Wenlong Zhang | ||
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