| Issue | Title | |
| Vol 6, No 2 (2025) | The Paradigm Reconstruction of Popular Singing Skills under Digital Ecology — Taking Virtual Idols as an Example | Abstract PDF |
| Xiangpeng Li | ||
| Vol 5, No 5 (2024) | The Path of Integrating Chinese Excellent Traditional Culture into College Art Education Curriculum | Abstract PDF |
| Ge Bian | ||
| Vol 5, No 6 (2024) | The Power of Animal Images: How Museums Tell the Story of Animal Symbols: Case study of the Museum Catharijneconvent | Abstract PDF |
| Ziyuan Yang | ||
| Vol 3, No 3 (2022) | The Practice of Art Gallery Group in Contemporary Museums | Abstract PDF |
| Xuechun Yuan | ||
| Vol 5, No 6 (2024) | The Promoting Role of the Media Industry in the Development of the Cultural Industry | Abstract PDF |
| Jiaying Zhou | ||
| Vol 5, No 4 (2024) | The Reasons Why the "New Woman" Failed: A Case Study of Sue Bridehead | Abstract PDF |
| Miaomiao Feng | ||
| Vol 6, No 2 (2025) | The Relation between Father and Son in Seize the Day from the Perspective of Lacanianism | Abstract PDF |
| Jingqi Hu | ||
| Vol 3, No 4 (2022) | The Relationship Between the Orientation of the Hand Symbols in Inscription on Bones and the Meaning | Abstract PDF |
| Yuqing Jia | ||
| Vol 5, No 1 (2024) | The Role of Color Psychology in Interaction Design | Abstract PDF |
| Wenbo Zhang, Mengyao Wang, Jiahui Zhang, Yiyi Feng, Chenxuan Wang | ||
| Vol 2, No 4 (2021) | The Role of Contour Line in Painting — an Analysis of Morandi's Still Life Painting | Abstract PDF |
| Jingru Liu, Mengqi Jin | ||
| Vol 5, No 6 (2024) | The Role of Intangible Cultural Heritage in Decolonizing Music Curricula: Intercultural Approaches in School Education | Abstract PDF |
| Yuhan Wan | ||
| Vol 5, No 3 (2024) | The Role of Quanzhou Taishi in the Revitalization of Rural Culture under the Perspective of Semiotics | Abstract PDF |
| Jiali Liu, Lin Tang, Huiting Lin, Yiping Qiu | ||
| Vol 3, No 1 (2022) | The Shaping of Diverse Masculinities by the Westernization of Men's Clothing in Modern China and Japan | Abstract PDF |
| Zhiwen Tian, Yu Liu | ||
| Vol 3, No 5 (2022) | The Spreading Influence of "Tide of Calligraphy — Itinerant Exhibition for Forty Years of Henan Calligraphy in the New Period" | Abstract PDF |
| Kaifang Tian | ||
| Vol 5, No 2 (2024) | The Style and Influence of Su Shi's Regular Script | Abstract PDF |
| Jiawei Zhang | ||
| Vol 5, No 6 (2024) | The Tragic and Comic Elements in Yuan Zaju — A Study of Classical Chinese Drama | Abstract PDF |
| SURINA E | ||
| Vol 2, No 4 (2021) | The Turn and Change of Chinese Contemporary Oil Painting Patterns | Abstract PDF |
| Jinjing Yang, Lan Chen | ||
| Vol 2, No 4 (2021) | The Turn of 20th Contemporary Art under the Big Social Crisis | Abstract PDF |
| Bijun Zhu | ||
| Vol 3, No 1 (2022) | The Two Paths to the End in the Film and Novel Lust﹒Caution | Abstract PDF |
| Jun He, Yangxia Miao, Sha Luo | ||
| Vol 5, No 6 (2024) | The Urban Spatial Narratives in Chinese Cinema: Regional Characteristics and Social Transformation in Chongqing | Abstract PDF |
| Yajie Chen | ||
| Vol 5, No 6 (2024) | The View of Artistic Function before and after the “Art Revolution” Theory | Abstract PDF |
| Wenjing Zou | ||
| Vol 3, No 1 (2022) | Theatrical Aesthetics of Solo Performance and Its Social Functions — Take the Example of Tim Miller's Glory Box | Abstract PDF |
| Min Zhang | ||
| Vol 5, No 4 (2024) | Theoretical Analysis and Practical Exploration of Enhancing Flute Section Ensemble Performance through Positive Interdependence Theory | Abstract PDF |
| Hongming Liu | ||
| Vol 5, No 1 (2024) | Tibetan in Painting: The Embodiment of the Idea of Impermanence in the Animation "The Return of the Great Sage" | Abstract PDF |
| Yang Yuan, Jingqi Qiu | ||
| Vol 5, No 2 (2024) | Trends and Prospects of the Fashion Production Industry | Abstract PDF |
| Xi Liang | ||
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