| Issue | Title | |
| Vol 2, No 2 (2021) | Significance of the Theme of Death in Crossover Literature: A Case Study of Harry Potter and The Boy in the Striped Pyjamas | Abstract PDF |
| Muqi Cheng | ||
| Vol 3, No 2 (2022) | Sino-African Art Exchange — Exploring Wang Keping's Sculptural Art | Abstract PDF |
| Xinchen Jiang, Changchang Qian | ||
| Vol 1, No 3 (2020) | Slaying the Monsters of Racism: A Geertzian Reading of Night of the Living Dead | Abstract PDF |
| Mengxi Chen | ||
| Vol 4, No 2 (2023) | Some Aspects of Innovation in Brahms's F Sharp Minor Piano Sonata | Abstract PDF |
| Ge Deng | ||
| Vol 3, No 2 (2022) | Some Reflections on the Development History of Long-sleeved Dance | Abstract PDF |
| Ning Mao | ||
| Vol 5, No 1 (2024) | Special Product Design and User Experience in Abnormal Scenarios | Abstract PDF |
| Ruohan Liu | ||
| Vol 6, No 3 (2025) | Sports Movement and Art Quietness: Art and Health from a Converged Perspective | Abstract PDF |
| Jialong Liu, Heung Kou, Di Zhao, Ye Hu, Shuang Hu, Xunmeng Ji, Jinghan Wu, Tong Lin | ||
| Vol 3, No 4 (2022) | Staff Notation or Numbered Music Notation That Is the Question: A Brief History of Numbered Music Notation and an Examination on Its Effectiveness of Music Learning | Abstract PDF |
| Chia-Lun Chang | ||
| Vol 3, No 6 (2022) | Statistical Thinking and New Forms of Contemporary Art under the Background of Big Data | Abstract PDF |
| Zheng Wang | ||
| Vol 5, No 3 (2024) | Strategies for Applying the Concept of Human-centered Education in Dance Teaching | Abstract PDF |
| Shaohan Hou | ||
| Vol 6, No 4 (2025) | Strategies for Enhancing Left-Hand Technique in Piano Performance | Abstract PDF |
| Xiaofeng Zheng | ||
| Vol 3, No 1 (2022) | Study on Design of Interactive Advertising in the Environment of New Media | Abstract PDF |
| Wensi Meng, Lingzi Huang | ||
| Vol 7, No 2 (2026) | Study on Localization Adaptation and Innovation Paths of the Stanislavski Performance System in Performing Arts Teaching of Chinese Universities | Abstract PDF |
| Youzhu Chen, Sumathi Maniam Raj | ||
| Vol 5, No 4 (2024) | Study on the Dai Nationality of Gengma County's Kinnara Dance from the Perspective of "China-Asean" Community | Abstract PDF |
| Ansheng Shen, Li Peng, Hui Zhong | ||
| Vol 3, No 3 (2022) | Study on the Design Implication of Auspicious Patterns of Huizhou Traditional Architectural Components — Taking Windows as an Example | Abstract PDF |
| You He | ||
| Vol 7, No 2 (2026) | Study on the Design of Intangible Cultural Heritage VR Experience and Immersive Communication Strategy Based on Flow Theory | Abstract PDF |
| Chun Li, Hao Dong | ||
| Vol 6, No 6 (2025) | Study on the Development of Music and Multi-Ethnic Integration in Southwest China | Abstract PDF |
| Xinyu Pan, Gang Cheng | ||
| Vol 6, No 4 (2025) | Study on the Style Features and Aesthetic Value of Dong Qichang's Landscape Paintings | Abstract PDF |
| Lipeng Wang | ||
| Vol 5, No 6 (2024) | Study on the Theme of Love and Social Gender Conflict in Oscar Wilde's Poetry | Abstract PDF |
| Chuyue Wang | ||
| Vol 7, No 2 (2026) | Study on Touch Techniques and Tone in Piano Performance | Abstract PDF |
| Lu Fang | ||
| Vol 2, No 4 (2021) | subway advertising, service system, travel purpose, precise placement | Abstract PDF |
| Yuxiao Tu, Zheng Li | ||
| Vol 3, No 2 (2022) | Summary and Initial Exploration of Barbara Gail Montero's Article "The Artist as Critic: Dance Training, Neuroscience, and Aesthetic Evaluation" | Abstract PDF |
| Yang Liu | ||
| Vol 6, No 6 (2025) | Symbolic Anthropology Studies in China | Abstract PDF |
| Yanlin Zhou | ||
| Vol 7, No 2 (2026) | The Absent Polyphonist: Reconstructing Spectator Identity in the Era of Images | Abstract PDF |
| Linli Yu, Anqi Zhang | ||
| Vol 6, No 1 (2025) | The Application and Practice of AI Empowering Cello Teaching | Abstract PDF |
| Han Wang | ||
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